HAROLD SCHECHTER is a professor of American literature at Queens College, CUNY. He is best known for his historical true-crime writing and for reference works such as The A-to-Z Encyclopedia of Serial Killers and The Serial Killer Files. The Contributing Editor, Robert Kolker, is a New York magazine contributing editor, a finalist for the National Magazine Award, and the author of Lost Girls. He writes frequently about issues surrounding criminal justice and the unforeseen impact of extraordinary events on everyday people. He lives with his family in Brooklyn.
Beekman Place, once one of the most exclusive addresses in Manhattan, had a curious way of making it into the tabloids in the 1930s: “SKYSCRAPER SLAYER,” “BEAUTY SLAIN IN BATHTUB” read the headlines. On Easter Sunday in 1937, the discovery of a grisly triple homicide at Beekman Place would rock the neighborhood yet again—and enthrall the nation. The young man who committed the murders would come to be known in the annals of American crime as the Mad Sculptor.
Caught up in the Easter Sunday slayings was a bizarre and sensationalistic cast of characters, seemingly cooked up in a tabloid editor’s overheated imagination. The charismatic perpetrator, Roger Irwin, was a brilliant young sculptor who had studied with some of the masters of the era. But with his genius also came a deeply disturbed psyche; Irwin was obsessed with sexual self-mutilation and was frequently overcome by outbursts of violent rage.
Irwin’s primary victim, Veronica Gedeon, was a figure from the world of pulp fantasy—a stunning photographer’s model whose scandalous seminude pinups would titillate the public for weeks after her death. Irwin’s defense attorney, Samuel Leibowitz, was a courtroom celebrity with an unmatched record of acquittals and clients ranging from Al Capone to the Scottsboro Boys. And Dr. Fredric Wertham, psychiatrist and forensic scientist, befriended Irwin years before the murders and had predicted them in a public lecture months before the crime.
Based on extensive research and archival records, The Mad Sculptor recounts the chilling story of the Easter Sunday murders—a case that sparked a nationwide manhunt and endures as one of the most engrossing American crime dramas of the twentieth century. Harold Schechter’s masterful prose evokes the faded glory of post-depression New York and the singular madness of a brilliant mind turned against itself. It will keep you riveted until the very last page.- THE POWERHOUSE ARENA.COM
Murder of a Pinup Legend: The Mad Sculptor Murders Veronica Gedeon
WABC INTERVIEWS HAROLD ABOUT THE MAD SCULPTOR