 Smithsonian article
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 How digital reconstruction brings a 4000 year old, Pre- Columbian, North American family back to life.
Smithsonian National Geographic 
Douglas Starr
Starr (Blood) eloquently juxtaposes the crimes of French serial killer Joseph Vacher and the achievements of famed criminologist Dr. Alexandre Lacassagne during France's belle époque. From 1894 to 1897, Vacher is thought to have raped, killed, and mutilated at least 25 people, though he would confess to only 11 murders. Lacassagne, who headed the department of legal medicine at the university in Lyon, was a pioneer in crime scene analysis, body decomposition, and early profiling, and investigated suspicious deaths, all in an era when rural autopsies were often performed on the victim's dinner table.
Lacassagne's contributions to the burgeoning field of forensic science, as well as the persistence of investigating magistrate Émile Fourquet, who connected crimes while crisscrossing the French countryside, eventually brought Vacher to justice. Vacher claimed insanity, which then (as now) was a vexed legal issue. Lacassagne proved the "systematic nature" of the crimes. Starr, codirector of Boston University's Center for Science and Medical Journalism, creates tension worthy of a thriller; in Lacassagne, he portrays a man determined to understand the "how" behind some of humanity's most depraved and perhaps take us one step closer to the "why." 16 pages of photos. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From Bookmarks Magazine Douglas Starr is an old pro at reporting and writing science history, which puts The Killer of Little Shepherds squarely in his wheelhouse. The author ably tells two stories—of the serial killer Vacher’s lust for murder and of the developing science that finally caught up with him—and there are enough fascinating details here to keep even the most jaded forensics fans entertained. More popular journalism than a failed “quest to understand evil” (New York Times), Starr’s compelling history can be added to the growing library of books (Devil in the White City, The Lost City of Z, The Ghost Map) that brings to life forgotten or neglected events by playing on a reader’s sense of adventure and the unknown, as well as the satisfaction of witnessing a confounding puzzle well solved. Review “Chilling . . . An exemplar of historical true-crime nonfiction.” -Mark Dunkelman, Favorite Books of 2010, The Providence Journal “Absorbing . . . Starr’s thought-provoking journey, through the strange underbelly of a vividly rendered France, lingers in the reader’s memory.” -Elyssa East, The New York Times Book Review (Editor’s Choice) “Engrossing and carefully researched.”-The New Yorker “A- . . . Gripping, almost novelistic . . . Like an episode of CSI: 19th-Century France.” -Tina Jordan, Entertainment Weekly “Riveting.”-Laura Spinney, Nature “Gripping . . . Starr’s description of the legal, medical and even philosophical questions around Vacher’s responsibility are strikingly current.”-Drew DeSilver, The Seattle Times “The perfect true-crime book to curl up with on an autumn night.”-Doug Childers, Richmond Times-Dispatch   Art forgery is a thriving business.
Art theft and art fraud have developed into an industry making millions of dollars. Investigating the structure and chemical composition of works for the purpose of authenticating them for museums, auction houses, the Department of Justice, and the Federal Bureau of Investigation and for insurance purposes. Microscopy, chemical analysis, and x-rays are some of the techniques used to identify fraudulant artwork. The New Yorker Magazine: Telling a Masterpiece The Observer: Defamation Lawsuit on Art Forgery Big Ink: Forensics, Art & Democracy National Geographic FBI CRIME LAB DEVOTED TO ART PBS- Mona Lisa's Smile |
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